Labels are produced with the install
Wall labels, plinth labels and interpretation panels are fabricated as part of an installation budget. Reprinting one in the middle of a run means matching stock, type and finish again.
Exhibit labels and interpretation
A wall label is fabricated for an installation and often stays through several rehangs. Artist pages, education material, accessibility resources and hosted audio are rewritten and moved in between. A managed Dynamic QR code lets the label stay and the reference behind it be kept accurate.
Interpretation is stewarded for years, so the decision belongs to the design stage: a Static QR code cannot be repointed once the label is printed and mounted.
Interpretation is a long-term responsibility. Printed labels are a fixed point inside it, and a broken link on a label is visible to every visitor who tries.
Wall labels, plinth labels and interpretation panels are fabricated as part of an installation budget. Reprinting one in the middle of a run means matching stock, type and finish again.
Curatorial and education teams add essays, teaching notes and further reading long after the label text is set in the wall.
A recorded commentary or artist interview is hosted on a platform that reorganizes, migrates or re-publishes it. The label cannot follow.
Panels and holders are reused across shows, and a code left pointing at a closed exhibition page teaches visitors to stop scanning.
Credit lines, lender acknowledgements and attributions are revised. The supporting page behind a code can be corrected the same week.
Large-print text, transcripts and plain-language descriptions are often published after opening, and need somewhere the existing label can lead.
One destination at a time, chosen for the visitor standing in front of the object rather than for the institution's own structure.
Artist and object pages
Point at the biography, provenance or catalog entry you publish, and move it when the collection site is restructured.
Education and learning resources
Teaching notes, family activities and school material, repointed as each term's resources replace the last.
Accessibility material you provide
Transcripts, large-print text or plain-language descriptions that your team writes and hosts. SweQR resolves the link; it does not translate content or generate accessible versions.
Externally hosted audio and video
A commentary, interview or performance recording living on your own site or a platform you use — the code points at wherever it currently is.
Wayfinding, entrance and shop signage follows the conventions in QR codes for business signs, and the underlying idea is explained in editable QR codes.
Step by step
Step 1
Key works, section introductions and objects with complex stories. Restraint keeps the gallery readable and keeps the number of destinations you must steward realistic.
Step 2
Name each after the accession number or object, and group by gallery or exhibition so a rehang can be worked through room by room.
Step 3
Activation fixes the managed short link. Export SVG for the label maker, size the code for a comfortable reading distance, and say in one short line what the visitor will get.
Step 4
Closing an exhibition, publishing new education material or moving audio all become destination edits rather than a label reprint.
Free static artwork for a temporary display card can be exported from the QR Design Studio, and brand-matched codes are covered in QR codes with a logo.
Cancelling a paid plan freezes the paid capabilities — editing destinations, scan analytics and creating new dynamic codes. Issued codes on SweQR's hosted redirect service keep resolving to their last saved destination, subject to the existing safety, lifecycle and service rules, so labels in the galleries are not broken by a plan change.
Plans, capacity and analytics depth are listed on the pricing page.
FAQ
No. SweQR is not a collection, ticketing or exhibit management system, and it hosts no audio, video or object records. It issues and manages the code and the link behind it, so a label can lead to material your institution already publishes.
No. There is no automatic translation and no automatic accessibility conversion. If you publish a translated page, a transcript or a large-print version, you can point a code at it — the writing and hosting remain yours.
Rarely. Codes earn their place where there is genuinely more to say — a key work, a complex loan, a section introduction. A code on every label competes with the objects and with the reading visitors came to do.
Repoint the codes before the panels are reused or stored: to the collection page for works that return to display, or to a page about the past exhibition. A managed code means the label can be kept and the reference updated.
Paid editing, scan analytics and creating new dynamic codes freeze. Codes already issued keep resolving to their last saved destination, subject to the normal safety, lifecycle and service rules.
Create the codes as Dynamic before labels go to fabrication, then keep their destinations current through every rehang.